My practice examines the intersection of history, place, and identity through painting, photography, and printmaking. As an artist inspired by history, I often find myself incorporating more traditional techniques into my contemporary work. I am drawn to how the past can help us understand our present time, and the artisanal craftsmanship found in everyday life before major industrialization. Examining shifts in western culture’s priorities towards the decorative arts and identity through art shapes the perspective I take when creating.

I frequently return to the Appalachian landscape as a consistent reminder of my home and a strong foundation of imagery, preserving this ancient natural setting into a contemporary frame as much landscape is endangered by mountaintop removal and industry development. My approach allows me to consider how historical, naturalistic preservation and regional development can coincide and reflect on how art can advocate for progress and conservation.

Through my process, I aim to advocate for historic preservation, human rights, and Appalachian culture. I want my work to communicate cycles of humanity and the role communities have in cultural and social progress.